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Activist Citizenship, Film and Peace-building
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| Last checked: Dec. 18, 2024, 5:05 p.m. |
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Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
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| Last checked: Dec. 11, 2024, 1:05 p.m. |
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos
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| Last checked: Dec. 16, 2024, 3:05 a.m. |
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Act Two. What Makes Popular Christian Music “Popular”?. A Comparison Between Current US-American Contemporary Christian Music and German Popular Christian Music Using the Examples of Lauren Daigle and Koenige & Priester
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| Last checked: April 29, 2024, 11:15 p.m. |
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[full info]
| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Anatomy of a Wedding: Examining Religiosity, Feminism, and Weddings in GREY’S ANATOMY
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| Last checked: Dec. 21, 2024, 5:05 a.m. |
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[full info]
| Last checked: Dec. 17, 2024, 2:06 a.m. |
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Apocalypse as critical dystopia in modern popular music
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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Apocalyptic Imaginings
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| Last checked: Dec. 15, 2024, 6:10 a.m. |
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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Approaching Religious Symbols in the Public Space: Contemporary Art and Museums as Places of Negotiation?
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| Last checked: Dec. 21, 2024, 11:06 a.m. |
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| Last checked: Dec. 11, 2024, 1:08 a.m. |
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Between Erudition and Faith. Jean-Jacques Chifflet’s Tract on the Shroud of Besançon (1624)
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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Beyond Cinematic Stereotypes: Using Religion to Gender Film Characters in Alternative Ways
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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Biblical Narratives in INTERSTELLAR (US/GB 2014)
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| Last checked: Aug. 4, 2024, 7:05 p.m. |
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[full info]
| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Book review: Anna Neumaier, religion@home? Religionsbezogene Online-Plattformen und ihre Nutzung. Eine Untersuchung zu neuen Formen gegenwärtiger Religiosität, Würzburg: Ergon 2016, 478 pages, ISBN: 978-3-95650-141-8
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| Last checked: Dec. 16, 2024, 3:07 a.m. |
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[full info]
| Last checked: Dec. 16, 2024, 9:06 a.m. |
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Book Review: Anthony Hatcher, Religion and Media in America
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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[full info]
| Last checked: Dec. 19, 2024, 10:06 a.m. |
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Book Review. Assaf Gamzou / Ken Koltun-Fromm (eds.), Comics and Sacred Texts. Reimagining Religion & Graphic Narratives
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| Last checked: Oct. 6, 2024, 2:06 p.m. |
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[full info]
| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Book Review: Christopher B. Barnett/ Clark J. Elliston (eds.), Theology and the Films of Terrence Malick
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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[full info]
| Last checked: Dec. 20, 2024, 11:05 a.m. |
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Book Review: Crystal Downing, Salvation from Cinema. The Medium is the Message
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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| Last checked: Dec. 15, 2024, 4:07 a.m. |
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Book Review: Elijah Siegler, Coen. Framing Religion in Amoral Order. Baylor University Press, 2016 (ISBN 978-1481-3028-38)
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| Last checked: Dec. 18, 2024, 5:05 p.m. |
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Book Review. Elisha McIntyre, Religious Humor in Evangelical Christian and Mormon Culture
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| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Book review: Friedhelm Hartenstein/Michael Moxter, Hermeneutik des Bilderverbots. Exegetische und systematisch-theologische Annäherungen
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| Last checked: Dec. 12, 2024, 5:06 p.m. |
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[full info]
| Last checked: May 23, 2024, 7:17 p.m. |
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Book Review: Jean-Luc Maroy, LE SACRIFICE d’Andreï Tarkovski, une parabole sur le temps de la fin
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| Last checked: Dec. 14, 2024, 10:05 p.m. |
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[full info]
| Last checked: Dec. 21, 2024, 5:05 a.m. |
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Book Review: John C. Lyden/Eric Michael Mazur (eds.), The Routledge Companion to Religion and Popular Culture. London/New York: Routledge, 2015, xvii + 583 pp., ISBN 978-0-415-63866-1
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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[full info]
| Last checked: Dec. 20, 2024, 1:05 p.m. |
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Book Review. Joshua Louis Moss, Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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Book review: Jürgen Wasim Frembgen, Tausend Tassen Tee
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| Last checked: Dec. 12, 2024, 5:06 p.m. |
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Book Review. Ken Derry / John C. Lyden. (eds.), The Myth Awakens. Canon, Conservatism, and Fan Reception of STAR WARS
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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[full info]
| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Book Review: Marcus Moberg, Church, Market, and Media A Discursive Approach to Institutional Religious Change
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| Last checked: Dec. 13, 2024, 5:05 p.m. |
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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Book Review. Mathew P. John, Film as Cultural Artifact
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| Last checked: Dec. 15, 2024, 7:05 p.m. |
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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Book Review: Matthew Rindge, Profane Parables. Film and the American Dream. Baylor University Press, 2016 (ISBN 978-1481-3042-90)
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| Last checked: Dec. 18, 2024, 5:05 p.m. |
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| Last checked: Dec. 8, 2024, 7:05 a.m. |
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Book Review: Monika Leisch-Kiesl: ZeichenSetzung / BildWahrnehmung. Toba Khedoori: Gezeichnete Malerei
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| Last checked: Dec. 12, 2024, 5:06 p.m. |
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Book Review. Peter Klimczak, Christer Petersen (eds.), Popestar. Der Papst und die Medien
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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| Last checked: Dec. 15, 2024, 4:07 p.m. |
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Book Review: Rhonda Burnette-Bletsch (ed.), The Bible in Motion. A Handbook of the Bible and its Reception in Film
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| Last checked: Dec. 8, 2024, 11:05 a.m. |
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| Last checked: Dec. 20, 2024, 5:05 a.m. |
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Book Review. Richard Walsh (ed.), T&T Clark Companion to the Bible and Film
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| Last checked: Dec. 16, 2024, 3:07 p.m. |
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| Last checked: Dec. 9, 2024, 7:05 p.m. |
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Book Review. S. Brent Plate, Religion and Film
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| Last checked: Oct. 25, 2024, 12:07 p.m. |
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| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Book review: Sébastien Fevry/Serge Goriely/Arnaud Join-Lambert (eds.), Regards croisés sur Incendies.. Du théâtre de Mouawad au cinéma de Villeneuve. Louvain-la-Neuve: L’Harmattan 2016, 138 pages, ISBN: 978-2-8061-0281-2
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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| Last checked: Dec. 12, 2024, 9:05 p.m. |
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Book Review. Terry Lindvall, God on the Big Screen. A History of Hollywood Prayer from the Silent Era to Today
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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| Last checked: Dec. 17, 2024, 10:10 a.m. |
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Book Review: Wendy I. Zierler, Movies and Midrash. Popular Film and Jewish Religious Conversation. Foreword by Eugene B. Borowitz. Albany: State University of New York, 2017, xiii + 309 pp., ISBN 978-1-4384-6615-6.
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| Last checked: Dec. 20, 2024, 5:05 a.m. |
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| Last checked: Dec. 20, 2024, 5:05 a.m. |
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Bridal mysticism, virtual marriage and masculinity in the Moravian hymnbook “Kleines Brüdergesangbuch”
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| Last checked: Oct. 27, 2024, 1:05 p.m. |
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| Last checked: Dec. 21, 2024, 5:05 a.m. |
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Bridging Real and Virtual: A Spiritual Challenge
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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| Last checked: Oct. 22, 2024, 6:06 a.m. |
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Bulletproof Love: Luke Cage (2016) and Religion
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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Charivari or the Historicising of a Question. The Irrelevance of Romantic Love for the Audio-Visual Performance of Marriage in Bern in the 18th and 19th Century
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| Last checked: Dec. 21, 2024, 5:05 a.m. |
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Constructing Space, Changing Reality of Israel through Film
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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Cross-media Transmission Processes: Marian Figures in TODO SOBRE MI MADRE (Pedro Almodóvar, ES 1999)
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| Last checked: Dec. 21, 2024, 11:06 a.m. |
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[full info]
| Last checked: Dec. 10, 2024, 9:06 p.m. |
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Deconstructing Gilgul, Finding Identity. Captain America and the Winter Soldier in a Judaistic Perspective
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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Dharma and the Religious Other in Hindi Popular Cinema
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| Last checked: Dec. 16, 2024, 3:07 p.m. |
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| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Documentary Media and Religious Communities
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| Last checked: Dec. 21, 2024, 11:06 a.m. |
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Drawn Stories, Moving Images. Comic Books and their Screen Adaptations
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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Editorial: Apocalyptic Imaginings
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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| Last checked: Aug. 4, 2024, 11:05 p.m. |
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Editorial: In Search of the Human. The Work of the Dardenne Brothers
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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Editorial: "I Sing the Body Electric"
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| Last checked: Dec. 18, 2024, 5:05 p.m. |
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| Last checked: Dec. 8, 2024, 8:07 p.m. |
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Editorial: The Relevance of Comics and their Screen Adaptations
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| Last checked: Oct. 21, 2024, 5:05 p.m. |
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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Editorial: Thinking Methods in Media and Religion
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| Last checked: Dec. 21, 2024, 11:06 a.m. |
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| Last checked: Dec. 21, 2024, 11:06 a.m. |
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Emulating Science. The Rhetorical Figures of Creationism
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| Last checked: Dec. 12, 2024, 5:06 p.m. |
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Entfesselte Körper
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| Last checked: June 9, 2024, 3:15 a.m. |
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| Last checked: June 9, 2024, 3:15 a.m. |
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Festival Review: 72nd Festival de Cannes. Finding Faith in Film
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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Festival Review. 75th International Film Festival Venice. Variations on the Theme of Violence. Multifaceted Representations of a Ubiquitous Phenomenon in New Films
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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| Last checked: Dec. 9, 2024, 12:05 a.m. |
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Festival Review. Locarno Film Festival in Switzerland (1–11 August 2018)
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| Last checked: Dec. 21, 2024, 5:05 a.m. |
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| Last checked: June 24, 2024, 4:07 a.m. |
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Film, Parable, Reciprocity: Frederick Wiseman's "reality fictions" and Social Change
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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| Last checked: Dec. 14, 2024, 9:08 p.m. |
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Film Review FIRST REFORMED (Paul Schrader, US 2017)
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| Last checked: Dec. 21, 2024, 3:05 a.m. |
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| Last checked: Dec. 8, 2024, 11:06 a.m. |
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Film Review: IRAQI ODYSSEY (Samir, IQ 2014)
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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| Last checked: Dec. 7, 2024, 10:06 a.m. |
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Film Review: Mother! (Darren Aronofsky, US 2017)
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| Last checked: Dec. 20, 2024, 5:05 a.m. |
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Film review: ON BODY AND SOUL (Ildikó Enyedi). HU 2017
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| Last checked: Dec. 12, 2024, 5:06 p.m. |
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| Last checked: Dec. 11, 2024, 7:08 a.m. |
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Game Review. Pamali: Indonesian Folklore Horror (StoryTale Studios)
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| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Game Review: Samorost 3 (Amanita Design, 2016)
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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| Last checked: Dec. 7, 2024, 3:05 a.m. |
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Game review: The Turing Test (Bulkhead Interactive, 2016). Bulkhead Interactive, Action-Adventure, UK 2016
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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Images of the Muslim Woman and the Construction of Muslim Identity: The Essentialist Paradigm
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| Last checked: June 24, 2024, 10:14 a.m. |
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[full info]
| Last checked: Dec. 18, 2024, 5:05 p.m. |
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In Search of the Human. The Work of the Dardenne Brothers
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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Intercultural Perspectives on DAS RADIKAL BÖSE and THE ACT OF KILLING. Similarities and Dissimilarities in Coping with Trauma in Indonesia and Germany, in Southeast Asia and Europe
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| Last checked: Dec. 20, 2024, 5:05 a.m. |
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| Last checked: Dec. 16, 2024, 4:10 p.m. |
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Interlude. "But are as the angels which are in heaven" (Mark 12:25). Reimagining a Gender-Ambiguous Heaven in Dorian Electra’s ADAM & STEVE
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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| Last checked: Dec. 11, 2024, 4:05 p.m. |
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Interlude. Combating Gender Norms with a Lipstick-Gun. Lady Gaga's JESUS
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Interlude. Paths of Destiny. Rosalía’s Spiritual Car Ride in AUNQUE ES DE NOCHE
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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"I Sing the body electric". Body, Voice, Technology and Religion
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| Last checked: Dec. 18, 2024, 5:05 p.m. |
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[full info]
| Last checked: Dec. 14, 2024, 11:06 a.m. |
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Is Superman a God?
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| Last checked: July 3, 2024, 4:09 p.m. |
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[full info]
| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Jerusalem between Political Interests and Religious Promise
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| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Just Popular Entertainment or Longing for a Posthuman Eden?. The Apocalypse in Margaret Atwood‘s MaddAddam Trilogy
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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[full info]
| Last checked: Dec. 16, 2024, 9:05 p.m. |
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Losers, Food, and Sex: Clerical Masculinity in the BBC Sitcom Rev.
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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Marriage and its representations in Classical Hollywood Comedy (1934-1945). Stanley Cavell, the concept of skepticism and Kierkegaard's legacy
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| Last checked: Dec. 21, 2024, 5:05 a.m. |
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Mediality and Materiality in the History of Religions
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| Last checked: Dec. 19, 2024, 9:05 a.m. |
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[full info]
| Last checked: Dec. 21, 2024, 11:06 a.m. |
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Methodological Challenges by (New) Media
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| Last checked: Dec. 19, 2024, 3:06 a.m. |
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[full info]
| Last checked: Dec. 21, 2024, 11:06 a.m. |
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Mr Robot. Hacking the Apocalypse
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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Music Review. Kanye West, Jesus is King
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| Last checked: Dec. 12, 2024, 7:20 a.m. |
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Music Review: U2, The Joshua Tree and Two Contrary States of Faith. The Joshua Tree 30th Anniversary Tour, Twickenham Stadium, UK: Sunday 9th July 2017
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| Last checked: Dec. 10, 2024, 6:05 p.m. |
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[full info]
| Last checked: Dec. 20, 2024, 5:05 a.m. |
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Narrative and Experiment, Religion and Politics in Terrence Malick’s The Tree of Life
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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[full info]
| Last checked: Dec. 18, 2024, 8:05 a.m. |
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On (Dang) Quesadillas and Nachos. Mexicans, Mexican-Americans, and Religion in the Films of Jared Hess
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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On the History and Hermeneutics of Comics
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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[full info]
| Last checked: Dec. 14, 2024, 11:07 a.m. |
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Parabolic Transcendence in Time and Narrative
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| Last checked: June 9, 2024, 3:08 a.m. |
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[full info]
| Last checked: Dec. 16, 2024, 3:07 p.m. |
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Pedigree of Dualistic and Non-Dualistic Media: Grasping Extramedial Meanings
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| Last checked: Dec. 17, 2024, 4:06 p.m. |
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| Last checked: Dec. 18, 2024, 5:05 p.m. |
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Postlude. “And God Is Never Far Away”. Or the Sum of this Issue
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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| Last checked: Dec. 4, 2024, 10:08 a.m. |
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Prelude. "You Need a Big God". Fascinating Interactions Between Music and Religion
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| Last checked: Dec. 14, 2024, 6:05 a.m. |
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[full info]
| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Punishment and Crime. The Reverse Order of Causality in The White Ribbon
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| Last checked: Dec. 20, 2024, 5:05 a.m. |
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[full info]
| Last checked: Dec. 12, 2024, 2:08 p.m. |
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Rampant Lechers, Chaste Heroes. (De-)Sexualised Violence in Comic book Screen Adaptations
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| Last checked: Dec. 16, 2024, 9:06 a.m. |
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Reading Bond Films through the Lens of “Religion”. Discourse of “the West and the Rest”
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| Last checked: Dec. 21, 2024, 2:07 a.m. |
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[full info]
| Last checked: Dec. 21, 2024, 2:07 a.m. |
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Realistic Humanism: Luc Dardenne as a Philosopher and Filmmaker
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| Last checked: Oct. 28, 2024, 4:06 a.m. |
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[full info]
| Last checked: Dec. 20, 2024, 1:05 p.m. |
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Reality and Paternity in the Cinema of the Dardennes
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| Last checked: Dec. 20, 2024, 1:05 p.m. |
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Religion and Communication Spaces
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| Last checked: Dec. 21, 2024, 11:06 a.m. |
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Religion and Popular Music
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| Last checked: Dec. 19, 2024, 9:06 p.m. |
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Religion, Belief and Medial Layering of Communication: Perspectives from Studies in Visual Culture and Artistic Productions
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| Last checked: Dec. 11, 2024, 1:06 a.m. |
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(Re)Making a Difference
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| Last checked: Dec. 14, 2024, 9:05 a.m. |
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[full info]
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Representations of Religion and Culture in Children’s Literature. An Analysis of othering Processes in Texts and Illustrations
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| Last checked: Dec. 15, 2024, 10:05 a.m. |
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[full info]
| Last checked: Dec. 20, 2024, 5:05 a.m. |
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Revisiting the Relevance of Conceptualism of Godard’s film
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| Last checked: June 3, 2024, 8:11 p.m. |
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